| div class="googleright"> | | | | theatres that take several figures. |
| âApsaraâ, which can be translated | | | | Sculptures and images can be observed in many of |
| into English as nymph, are young supernatural beings | | | | ancient temples which have been built from the |
| with angelic beauty and elegance who involve in the | | | | dynasty of Sailendra to the one of Majapahit. Mostly |
| art of dancing to the music made by their husbands | | | | they are pictured in flying and standing positions |
| who are known as âGandharvasâ, | | | | spreading flowers or waving their clothes but they are |
| according to the Cambodian legends. The objective of | | | | not in decorative patterns but as vital aspects of the |
| these dances is to entertain the Gods and fallen | | | | story that they perform. The story demonstrates the |
| heroes of the history of the nation. It is also referred to | | | | theme where the Apsaras are sent to the earth by |
| the classical dance âKhmerâ that | | | | the God âIndraâ to seduce |
| comes from the history of Cambodia being performed | | | | âAsceticsâ who are dreadfully |
| in the courts of royal palaces by married couples, | | | | powerful even in violent way. |
| relatives and concubines in its won traditional Khmer | | | | |