| Horses were an integral part of life in ancient Greece; | | | | Other mythical beasts also had equine affinities. Most |
| they played an active role in warfare, in transportation, | | | | famous, of course, was the winged horse Pegasos, |
| and in the games which were such an important and | | | | which came from Corinth but was popular among |
| regular feature of Greek society. Athenian enthusiasm | | | | Athenian artists as well. Another flying equine was the |
| for the horse is expressed in numerous ways in the | | | | hippalektryon, a cross between a horse and a rooster. |
| Agora. Here the Athenian cavalry trained, not far from | | | | Two deities with a special interest in Athens, Athena |
| the hipparcheion, headquarters of its commanding | | | | and her uncle Poseidon, together served as protectors |
| officers. Here, too, some of the popular equestrian | | | | of horses and patrons of horsemanship and equestrian |
| events of the Panathenaic games were held, and the | | | | activities. As such, they shared a cult on Kolonos |
| Panathenaic procession, with its huge contingent of | | | | Hippios (Horse Hill), which lay outside the city walls, not |
| cavalry riders, passed through on its way up to the | | | | far from the Academy. Here was to be found an altar |
| Acropolis. Many civic buildings and temples were | | | | of Poseidon Hippios and Athena Hippia. The patron |
| adorned with paintings and sculptures of riders and | | | | god of horses and earthquakes, Poseidon was the |
| battle scenes showing cavalry. Honorary statues of | | | | brother of Zeus and god of the sea. He was |
| generals or statesmen on horseback and monuments | | | | worshiped in this latter guise at the southernmost tip of |
| commemorating victories in the equestrian events of | | | | Attica, at Cape Sounion, where he had a handsome |
| the games were set up in the Agora, and vases and | | | | marble temple in the Doric order. In Athens itself, he |
| small objects decorated with pictures of horses were | | | | shared a temple on the Acropolis with Athena, and he |
| sold in the marketplace in all periods. As with many | | | | was depicted on the west pediment of the Parthenon. |
| other aspects of Athenian life, the Agora is an | | | | According to some traditions he was also the father |
| excellent place to develop and illustrate a picture of | | | | of Theseus. His equine interests are the subject of a |
| horses and horsemanship in antiquity. | | | | chorus in Aristophanes' play The Knights: Dread |
| The horse is a relative latecomer to Greece, probably | | | | Poseidon, the horseman's king, you who love the |
| introduced at the start of the Middle Bronze Age, | | | | brazen clash and neighing of warlike steeds. Pleased |
| around 2000 s.c. The first impression made by | | | | to watch where the purple-beaked trireme sweeps to |
| mounted riders must have been a vivid one, perhaps | | | | the oars' long swing ... but especially where bright |
| giving rise to the legend of centaurs. These | | | | youths racing in their chariots flash by. |
| creatures-half man, half horse-figure prominently in | | | | Athena, patron goddess of all Athens, was credited |
| both Greek mythology and art. Theseus, the national | | | | with the invention of the bridle and the use of chariots: |
| hero of Athens, participated in a major battle between | | | | She also revealed racing chariots and war-horses and |
| Greeks and centaurs that became a favorite theme | | | | in this land first of all men the foster-child of the |
| for Athenian artists in both vase painting and sculpture. | | | | goddess [Erichthonios] yoked a fully equipped chariot |
| Theseus was also successful in repelling the | | | | with the aid of the goddess and revealed to all the |
| Amazons, fierce warrior women who usually fought | | | | complete art of horsemanship. (Aristeides, |
| from horseback. They are thought to have come from | | | | Panathenaikos 43) |
| the steppes north of the Black Sea, where it is now | | | | Remains of actual horses have been found in a rich |
| believed the horse was first domesticated, in the years | | | | tholos tomb of the Late Bronze Age in Attica, at |
| around 4000 BC. Like the centaurs, the Amazons | | | | Marathon; here two animals were carefully buried |
| were a recurring and popular subject in Greek art | | | | facing each other in the entrance passageway |
| throughout the Archaic and Classical periods. | | | | (dromos) in the years around 1400 B.C. |