| In an era where a plethora of divine beings existed and | | | | designed on urban lines with beautiful gardens and |
| were worshipped, Pharaoh Akhenaten's name is | | | | splendid pieces of architecture. The grand royal |
| penned down in history for being the first to adopt | | | | avenue constructed parallel to the River Nile |
| monotheism. The Pharaoh was also known as the | | | | showcased the superior architecture under him. The |
| Heretic King. However, under his father, Amenhotep III, | | | | avenue encompassed an open area referred to as |
| he abided by all the Egyptian culture norms and rituals | | | | the 'Window of Appearance' especially marked for |
| upholding the belief of polytheism. It was his marriage | | | | holding speeches and presenting honors by the ruler to |
| to the Neferititi of Akhmin, a political move that led to | | | | the deserving servers of the dominion. In those days |
| him supporting monotheism. | | | | itself, the architecture had reached the level of |
| After entering into wedlock with the Nefertiti of | | | | modernity that led to the construction of a bridge |
| Akhmin, he commenced to worship one sole divine | | | | between two buildings within this avenue. |
| power in the guise of God Aten. Thereafter, he | | | | Egyptian art also flourished under the reign of Heretic |
| abandoned the facet of royalty attached to his name | | | | Pharaoh Akhenaten. The stone tablet wall relief was |
| by eliminating Amenhotep and keeping the moniker, | | | | the most prevalent style of artistic excellence known |
| Akhenaten instead. The word Akhenaten personified | | | | as stelae. The Pharaoh motivated the transformation in |
| an individual who served Aten. His wife also changed | | | | the line of thought of the artists from depicting death |
| her name to Nefer-Nefru-Aten, denoting 'Beautiful is | | | | towards celebrating life through their art. The wall |
| the Beauty of Aten'. | | | | reliefs were made for aesthetic and religious reasons |
| This progressive and unorthodox ideology of the ruler | | | | and represented paintings and text together. The |
| was condemned by the priests of Thebes. Although, | | | | opposition to his monotheistic convictions initiated the |
| this resentment could not challenge his authority as a | | | | demolishment of the king's heritage by the opposing |
| king but it did lead to the establishment of a new court | | | | priests of Thebes. Very little of his legacy still exists in |
| on the east bank of the Nile, adjacent to Amarna. The | | | | the form of artifacts. The Akhenaten and Family wall |
| king's religious conviction of monotheism was a | | | | relief in the Altes Museum at Berlin is one such |
| debatable issue and was opposed by many. However, | | | | remembrance. This piece of art symbolizes the innate |
| there were others to the score of almost 20,000 who | | | | art form that Akhenaten supported in contrast to the |
| adopted the philosophy of Akhenaten and started | | | | existing royal and posed art forms. The wall relief |
| residing at Akhenaten el-Armana. | | | | highlights Akhenaten and Nefertiti with their two |
| The city of Akhenaten el-Armana also came to be | | | | daughters, the father kissing one and the other |
| known for its art and architecture. The city was | | | | daughter playing with the mother's earrings. |